The End, 2025

The End is a closed installation—a sealed drywall room that can be seen only through a small window.
Inside, an enclosed system circulates air and water between a medical air mattress (borrowed from the Israeli organization Yad Sarah), a plastic cup, and a bottle of water.
Mounted in one corner, an electric heater switches on and off in response to the room’s temperature, while a hidden diffuser releases vapor that resembles smoke. Above the heater, a basil-scented air freshener shaped like an American flag sways slightly, absurd and haunting.
Each day, a fresh copy of the Israeli newspaper Israel Hayom is placed on the mattress, marking the passage of time with almost literal insistence. Nearby, a smartphone leans against the cup, playing a looped video collage: famous moments of explosions from Hollywood action films overlaid with fragmented lyrics from Britney Spears’ Everytime.
Other elements punctuate the space: a worn book of Psalms found on the street, bound shut with masking tape; a mirror revealing a hidden black-and-white photograph of the Altalena ship explosion—a pivotal moment of internal violence in Israel’s history.
Together, these components evoke a sealed escape room, leaving viewers to wonder not just how to get out—but who was there in the first place.